Kaho: From Haruki Murakami

By Karen Zheng

If you’re currently in a bit of a reading slump, “Kaho” (2024) by Haruki Murakami is the perfect antidote to all your literary woes. This short story from the prolific Japanese writer pulls you in right from the opening line:

“I’ve dated all kinds of women in my life,” the man said, “but I have to say I’ve never seen one as ugly as you.”

It’s intriguing. It’s audacious. And most importantly, it makes you want to know more.

Utterly brilliant, if you ask me.

The plot is original. The exchange of dialogue is dynamic. And the internal musings of the main protagonist are deeply introspective and profound.

Beyond pure entertainment value, the tale also provides a fresh and nuanced take on self-image and identity. Enjoyable to read and illuminating. What more could you ask for in a short story?

Murakami’s writing is succinct and to the point, so the narrative doesn’t drag on. And there’s even a story within the story.

He has truly outdone himself with this riveting piece of short fiction.

You can find “Kaho” published in The New Yorker.

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Incoherence: South Korean Art Cinema